Where Does The Time Go

Original price was: $14.00.Current price is: $10.99.

Clothing Size Conversion Chart
Category US EU UK Chest (in) Waist (in) Hips (in)
Men XS 44 34 32-34 26-28 33-35
S 46 36 34-36 28-30 35-37
M 48 38 38-40 32-34 39-41
L 50 40 42-44 36-38 43-45
XL 52 42 46-48 40-42 47-49
Women XS 32 6 31-32 24-25 33-34
S 34 8 33-34 26-27 35-36
M 36 10 35-36 28-29 37-38
L 38-40 12-14 37-39 30-32 39-41
XL 42 16 40-42 33-35 42-44
Youth XS 128 7 26-28 23-24 26-28
S 134 8 28-30 24-25 28-30
M 140 10 30-32 25-26 30-32
L 146 12 32-34 26-27 32-34
XL 152 14 34-36 27-28 34-36
Pants Size Conversion Chart
CategoryUSEUUKWaist (in)Hip (in)Inseam (in)
Men284428283430
304630303631
324832323832
345034344033
365236364234
Women0324243430
2346253530
4368263631
63810273832
84012284032
Shoes Size Conversion Chart
CategoryUSEUUKFoot Length (in)
Men6395.59.25
7406.59.625
8417.510
9428.510.25
10439.510.625
114410.511
124511.511.25
134612.511.625
Women5352.58.5
6363.58.875
7374.59.25
8385.59.625
9396.510
10407.510.25
11418.510.625
12429.511
M (Unisex)5374.58.75
6385.59
7396.59.5
8407.510
9418.510.25
10429.510.625
114310.511
124411.511.25
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Description

Having spent a childhood singing in choirs which has left a mark with lush ethereal vocal arrangements and harmonies. Setting her in the realm of the West Coast greats: Karen Carpenter, Joni Mitchell, Carole King and the new breed of Marina Allen, Weyes Blood and alike. Hailing from Bristol, May’s delicate live performances have seen her play Ritual Union 2024 as well supporting the likes of Ora Cogan, Mary Lattimore, Shannon Lay and Whitney K. The 7-inch features A side and debut single ‘Where Does The Time Go’ which picked up support from BBC 6 Music’s Huw Stephens as well as international airplay from Byte FM in Germany and Triple R in Australia amongst others. B side ‘In My Heart’, is a beautiful blue slow burner that instantly directs your thoughts to someone close to your heart. “In My Heart is an appreciation and admiration of someone dear to you. I wrote it in the week leading up to a gig and whilst writing it I pictured myself playing it live. I wanted to retain this feeling in the recording, something present and direct, like it could be played in the same room as the listener.”

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