Tako Tsubo

Broken heart syndrome is no fictional disorder. The phenomenon has a name: Tako Tsubo (or “octopus trap” in Japanese). It’s an upheaval of the senses, an emotional burnout. It weakens the heart’s main pumping chamber brought on by intense emotional distress: an earthquake or a natural disaster, or something less (literally) earth shattering like the loss of a loved one or the angst felt when one is spurned by a lover. Matahari’s romantic streak – predicated on the idea of an idealised heroine – has made way for a landscape more anchored in reality. L’Imp|ratrice has certainly kept his taste for dance, groove on a virtuoso bass, vintage synths and glittery melodies. But gave himself the freedom to explore other lands, to step aside. It’s a journey that has broadened the horizons of all of those who sail in the Empress. As for the elegance of the production, L’Imp|ratrice has again teamed up with Renaud Letang (Jarvis Cocker, Liane La Havas, Feist) and Neal Pogue (Outkast, Stevie Wonder, Tyler the Creator) adding his mastery to the mixing. Perhaps most surprising is the deep exploration of the avenues of the heart, and in particular, the left ventricle. Ambivalent love, euphoria, sorrow and madness: so many symptoms which, taken together, suggest a bad dose of Tako Tsubo. It’s a syndrome that leaves the heart damaged, submerged, swollen. And more alive than ever.