Hawalat

Taking inspiration from hawala, a system of informal money transfers made to certain countries impacted by a lack of currency or unstable contexts. Megarbane spins this concept on its head, reimagining it as an artistic exchange spanning cultures, generations, and geographies. This spirit of creative movement is embodied in the album’s amalgamative nature, featuring contributions from an international lineup of artists, including London-based jazz vocalist Sahra Gure, Italian-Tunisian singer LNDFK, Neapolitan pianist Dario Bassolino, Berlin beatmaker and violinist FloFilz, and an 18-piece orchestral arrangement by Swedish composer Sven Wunder. Recorded across multiple locations, from Beirut to Brooklyn, Stockholm to a rural French commune, the album’s sonic journey mirrors its thematic premise. Musically, the track list of Hawalat travels through a varied journey of textures and temperaments. Following Marzipan (2023), which took a look inwards at the heart of Lebanon, Hawalat expands further outwards, exploring themes of diaspora, exile, and artistic migration. “As much as Marzipan was a portrait of Lebanon from the inside, Hawalat picks up where it left off,” Megarbane explains. The album avoids nostalgic recreations of the past, instead situating itself comfortably in the present with a sound that is both timeless and contemporary.