Ask Me Tomorrow

Original price was: $27.99.Current price is: $10.99.

Clothing Size Conversion Chart
Category US EU UK Chest (in) Waist (in) Hips (in)
Men XS 44 34 32-34 26-28 33-35
S 46 36 34-36 28-30 35-37
M 48 38 38-40 32-34 39-41
L 50 40 42-44 36-38 43-45
XL 52 42 46-48 40-42 47-49
Women XS 32 6 31-32 24-25 33-34
S 34 8 33-34 26-27 35-36
M 36 10 35-36 28-29 37-38
L 38-40 12-14 37-39 30-32 39-41
XL 42 16 40-42 33-35 42-44
Youth XS 128 7 26-28 23-24 26-28
S 134 8 28-30 24-25 28-30
M 140 10 30-32 25-26 30-32
L 146 12 32-34 26-27 32-34
XL 152 14 34-36 27-28 34-36
Pants Size Conversion Chart
CategoryUSEUUKWaist (in)Hip (in)Inseam (in)
Men284428283430
304630303631
324832323832
345034344033
365236364234
Women0324243430
2346253530
4368263631
63810273832
84012284032
Shoes Size Conversion Chart
CategoryUSEUUKFoot Length (in)
Men6395.59.25
7406.59.625
8417.510
9428.510.25
10439.510.625
114410.511
124511.511.25
134612.511.625
Women5352.58.5
6363.58.875
7374.59.25
8385.59.625
9396.510
10407.510.25
11418.510.625
12429.511
M (Unisex)5374.58.75
6385.59
7396.59.5
8407.510
9418.510.25
10429.510.625
114310.511
124411.511.25
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Description

Buy 3 or more Mojave 3 reissues and save 10% on each. Released in October 1995, Ask Me Tomorrow could have easily been the fourth Slowdive album, sounding like an acoustic deconstruction of the group’s early recordings, still dreamlike and ethereal but recontextualized by discernible lyrics and a country-folk aesthetic. “We put quite a lot of reverb on the vocals,” Neil recalls of the primitive recording style, “and because we were all in one room recording straight to tape, there was a lot of bleed, it made everything sound really reverby. It gave the mix this really cool, murky sound and sort of inadvertently bridges the gap to Slowdive a little.” Channelling the sorrowful songwriting of Leonard Cohen, Nick Drake, Townes Van Zant, and Fairport Convention, as well as contemporaries like Mazzy Star, Tindersticks, and Cowboy Junkies, this tone is set by the transcendent opener “Love Songs on the Radio,” in which Rachel’s angelic vocals are suspended in air by slow, sleepwalking guitar and minimalist bass and drum flourishes. “I sang that song sitting on a mattress in the kitchen of Neil’s flat,” Rachel recalls. “It was exciting because I really enjoyed the songs, and it felt like this entirely new thing was forming with only me, Neil and Ian.” “It was a very easy record to make, very off the cuff,” Ian confirms. “The atmosphere had been so toxic at the end of Slowdive, that it just felt so positive to be starting over with Rachel, Neil and myself, having a good time doing something completely different.”

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